文森特意大利餐厅在哪里

⑴ 《低俗小说》电影里有哪 六个部分分别是什么故事的顺序是什么

电影《低俗小说》由文森特和马沙的妻罩兄子，金返帆表，邦妮的处境3个故事，序幕，尾声5个部分组成，不是6个部分。

故事顺序分别是：

1、文森特和马沙的妻子

马沙正在和拳击手布奇谈话，要求他在下一场拳赛里故意输给对手，这样他就能得到一笔不薄的收入。由于有事要外出，马沙又给了文森特一个新的任务，让他陪自己的妻子蜜娅一个晚上。

2、金表

拳击手布奇有一块祖传的金表，也是他死于越战的父亲留给他的遗物，所以他对这块金表格外珍惜。为了从博彩中得到更大的一笔收入，布奇违背了他对马沙许下的诺言。

3、邦妮的处境

在朱尔斯和文森特开枪打死布莱特时，厕所里还躲着一个他的同党。这个人突然冲出来向朱尔斯和文森特开枪，但十分不幸的是，他一枪都没能打中目标。在结果这个倒霉的小子之后，朱尔斯认为此次的幸免于难不但是上帝的“神迹”，对他更是一道神谕，所以他决定从此退出黑帮洗手不干。

(1)文森特意大利餐厅在哪里扩展阅读

《低俗小说》由昆汀·塔伦蒂诺执导，布鲁斯·威利斯、乌玛·瑟曼、约翰·特拉沃尔塔、阿曼达·普拉莫、蒂姆·罗斯等主演的犯罪电物世袭影。该片于1994年10月14日在美国公映。

约翰·特拉沃尔塔饰演Vincent Vega，1954年2月18日出生于美国新泽西州，美国演员、制片人。

1975年，约翰·特拉沃尔塔出演了电视系列剧《欢迎归来，科特》而崭露头角。1978年，凭借歌舞片《周末夜狂热》获得第50届奥斯卡金像奖最佳男主角提名。

⑵ The Sixth Sense灵异第六感的全部对白

灵异第六感/鬼眼 The Sixth Sense (1999)

精彩对白：

[first lines]
Anna Crowe: It's getting cold.
Malcolm Crowe: That is one fine frame; one fine frame that is. How much...
[he sits down with a grunt]
Malcolm Crowe: ... does a fine frame like that cost, do you think?
Anna Crowe: I never told you, but you sound a little like Dr. Seuss when you're drunk.
Cole Sear: We were supposed to draw a picture, anything we wanted. I drew a man who got hurt in the neck by another man with a screwdriver.
Malcolm Crowe: You saw that on TV, Cole?
Cole Sear: Everyone got upset. They had a meeting. Mom started crying. I don't draw like that any more.
Malcolm Crowe: How do you draw now?
Cole Sear: Draw... people smiling, dogs running, rainbows. They don't have meetings about rainbows.
Vincent Gray: Do you know why you're afraid when you're alone? I do. I do.
Cole Sear: Are you a good doctor?
Malcolm Crowe: Well... I used to be. I won an award once. From the Mayor. It had an expensive frame.
Cole Sear: I'm gonna see you again, right?
Malcolm Crowe: If that's okay with you.
Stanley Cunningham: Philadelphia is one of the oldest cities in this country. A lot of generations have lived here and died here. Almost any place you go in this city has a history and a story behind it. Even this school and the grounds it sits on. Can anyone guess what this building was used for a hundred years ago, before you went to this school, before I went to this school? Yes, Cole?
Cole Sear: They used to hang people here.
Stanley Cunningham: No, uh, that, mm-mm, that's not correct. Uh, where'd you hear that?
Cole Sear: They'd pull the people in, crying and kissing their families 'bye. People watching would spit at them.
Stanley Cunningham: Uh, Cole, this, this building was a legal courthouse. Laws were passed here. Some of the very first laws of this country. This whole building was full of, uh, lawyers, uh, lawmakers.
Cole Sear: They were the ones that hanged everybody.
Cole Sear: Tell me the story about why you're sad.
Malcolm Crowe: You think I'm sad?
[Cole nods]
Malcolm Crowe: What makes you think that?
Cole Sear: Your eyes told me.
Malcolm Crowe: Once upon a time there was this person named Malcolm. He worked with children. He loved it. He loved it more than anything else. And then one night, he found out that he made a mistake with one of them. He couldn't help that one. And he can't stop thinking about it, he can't forget. Ever since then, things have been different. He's not the same person that he used to be. And his wife doesn't like the person that he's become. They barely speak anymore, they're like strangers. And then one day Malcolm meets this wonderful little boy, a really cool little boy. Reminds him a lot of the other one. And Malcolm decides to try and help this new boy. 'Cause he feels that if he can help this new boy, it would be like helping that other one too.
Cole Sear: How does the story end?
Malcolm Crowe: I don't know.
Cole Sear: I see dead people.
Malcolm Crowe: In your dreams?
[Cole shakes his head no]
Malcolm Crowe: While you're awake?
[Cole nods]
Malcolm Crowe: Dead people like, in graves? In coffins?
Cole Sear: Walking around like regular people. They don't see each other. They only see what they want to see. They don't know they're dead.
Malcolm Crowe: How often do you see them?
Cole Sear: All the time. They're everywhere.
Cole Sear: They see only what they want to see.
Cole Sear: She wanted me to tell you...
Lynn Sear: Cole, please stop...
Cole Sear: She wanted me to tell you she saw you dance. She said, when you were little, you and her had a fight, right before your dance recital. You thought she didn't come see you dance. She did. She hid in the back so you wouldn't see. She said you were like an angel. She said you came to the place where they buried her. Asked her a question? She said the answer is... "Every day." What did you ask?
Lynn Sear: Do... Do I make her proud?
Cole Sear: She came a long way to visit me, didn't she?
Malcolm Crowe: I guess she did.
Cole Sear: I walk this way to school with Tommy Tammisimo.
Malcolm Crowe: He your best buddy?
Cole Sear: He hates me.
Malcolm Crowe: Do you hate him?
Cole Sear: No.
Malcolm Crowe: Did your mom set that up?
Cole Sear: Yes.
Malcolm Crowe: Do you ever talk to your mom about how things are with Tommy?
Cole Sear: I don't tell her things.
Malcolm Crowe: Why not?
Cole Sear: Because she doesn't look at me like everybody else, and I don't want her to. I don't want her to know.
Malcolm Crowe: Know what?
Cole Sear: That I'm a freak.
Malcolm Crowe: Hey... you are not a freak. Okay? Don't you believe anybody that tries to convince you of that. That's bullshit! You don't have to go through your life believing that. Okay?
Cole Sear: You said the "s" word.
Malcolm Crowe: Yeah... I know. Sorry.
Lynn Sear: Look at my face; I was not thinking anything bad about you.
Cole Sear: Some magic's real.
Cole Sear: You know the accident up there?
Lynn Sear: Yeah.
Cole Sear: Someone got hurt.
Lynn Sear: They did?
Cole Sear: A lady. She died.
Lynn Sear: Oh my god. What, you can see her?
Cole Sear: Yes.
Lynn Sear: Where is she?
Cole Sear: Standing next to my window.
Lynn Sear: Cole, you're scaring me.
Cole Sear: They scare me too sometimes.
Lynn Sear: They?
Cole Sear: Ghosts.
Cole Sear: Grandma says hi.
[Lynn looks up sharply]
Cole Sear: She says she's sorry for taking the bumblebee pendant. She just likes it a lot.
Lynn Sear: [when Cole comes to Lynn to ask to sleep in her bed] Look at my face; I'm not very mad.
Lynn Sear: [at accident] Look at my face; I would never think that about you. Ever! Got it?
[Malcolm arrives late for dinner with his wife]
Malcolm Crowe: I thought you meant the other Italian restaurant I asked you to marry me in.
Cole Sear: [unimpressed after Malcolm Crowe's magic trick with coin] I didn't know you were funny.
Cole Sear: De profundis clamo ad te, domine.
Cole Sear: You ever feel the prickly things on the back of your neck?
Malcolm Crowe: Yes.
Cole Sear: And the tiny hairs on your arm, you know when they stand up? That's them. When they get mad... it gets cold.
Malcolm Crowe: Anna Crowe, I am in love... in love I am.
Kyra Collins: I'm feeling much better now.
Cole Sear: Do you want to tell me something?
Cole Sear: Stop looking at me. I don't like people looking at me like that.
Cole Sear: Instead of something I want, can it be something I don't want?
Malcolm Crowe: Okay...
Cole Sear: I don't wanna be scared anymore.
Cole Sear: I want to tell you my secret now.
Malcolm Crowe: [referring to the award his just received] Wow. We should hang it in the bathroom.
Malcolm Crowe: [to Anna] I would like some wine in a glass, I would not like it in a mug, I would not like it in a jug.
Malcolm Crowe: [Looking at Vincent in the bathroom] Vincent Gray. I do remember you. Quiet, very smart, compassionate. Unusually compassionate.
Vincent Gray: You forgot cursed.
Vincent Gray: [screaming at Malcolm] You failed me! You failed me!
Malcolm Crowe: [a co-worker of Anna's asks her out, he cannot decide whether to leave or not, then finally leaves] Keep moving, cheesedick.
Spanish Ghost on Tape: [Spanish ghost speaks to a young Vincent Gray] Yo no quiero morir!
Malcolm Crowe: [after watching the school play] I thought Tommy Tammisimo sucked big time.
Malcolm Crowe: [to Anna sleeping in a chair] Anna?
Anna Crowe: [in her sleep] I miss you.
Malcolm Crowe: I miss you too.
Anna Crowe: Why, Malcolm?
Malcolm Crowe: What, what is it?
Anna Crowe: Why did you leave me?
Malcolm Crowe: I didn't leave you.
[the ring Anna is holding falls out of her hand to the floor, and Malcolm suddenly remembers everything]
Malcolm Crowe: [after being shot by Vincent Gray] I think I'm okay really. I think it just went in and out. I... It doesn't even hurt anymore.
[last lines]
Malcolm Crowe: [after realizing the time has come for him to move on] I think I can go now. Just needed to do a couple of things. I needed to help someone; I think I did. And I needed to tell you something: You were never second, ever. I love you. You sleep now. Everything will be different in the morning.
Anna Crowe: [in her sleep] Good night, Malcolm...
Malcolm Crowe: Good night, sweetheart.
Ghost in the Closet: Is someone out there? Open this door, please! Come on. I can't breathe! If you can hear me, open this door... I swear on my life I didn't take the master's horse! OPEN THIS DOOR, OR I'LL BREAK THROUGH IT AND GRAB YOU!
Teenage Boy Ghost: Hey, come on! I'll show you where my dad keeps his gun. Come on!
[turns to reveal bloody hole in the back of his head]
The Cabinet Lady: You can't hurt me anymore!
[holds up her wrists, which are slit]
Bobby: Silence, village idiot!
Lynn Sear: Cole, you're scaring me.
Cole Sear: They scare me too sometimes.
Lynn Sear: They?
Cole Sear: Dead people.

⑶ 如何看待《教父3》中最后文森特射杀那个杀手时的笑

《教父3》中最后文森特射杀那个杀手时的笑是代表胜利的微笑。

第三代教父文漏戚运森特的故事虽然没有在电影中完全展现，然而在其人生的前半段己经可以看到了某种悲剧性的前提—为了权力放弃挚爱；为了能够除掉威胁，暗杀如同父亲抚仔扮养他长大的叔叔；雇凶杀人，却阴差阳错地杀死了爱人玛丽。

这种潜在的命运书写本身也可以和导演科波拉作为意大利裔移民的成长史做出互文性的对比，从一穷二白到白手起家、最终梦碎的命运历程，既是柯里昂家族所经历的，同样也是意大利移民在历史上所经历。

主要内容：

该片讲述了1979年，第二代教父迈克尔·柯里昂到了垂暮之年，为了灵返梁魂的救赎，迈克尔慢慢结束家族的黑道事业，转投正当生意。

当迈克尔同意注资梵蒂冈银行，并要求获得梵蒂冈银行控制的欧洲地产集团屹立的控制权。屹立的控制人鲁加西和大主教欺骗了迈克尔，拿钱并不让出屹立，并企图利用暗杀迈克尔。

为了清除最后几个仇敌，迈克尔派了手下到纽约和西西里各地追查。然而，当他和归来的妻子凯一起观看儿子托尼表演的歌剧时，一场血腥的残杀就发生在他身边。新教皇被刺杀。一群枪手涌入了歌剧院。

在枪声大作中，迈克尔死里逃生，但他的爱女却为被误伤而死。权力使迈克尔登上了辉煌的巅峰，但权力也使迈克尔沉入了罪恶的深渊。他终于走上了穷途末路，在悔恨和绝望中渐渐地离开了这个繁华喧嚣的世界。

⑷ 低俗小说剧情详细介绍，电影想表达什么意思

正如电影的名字一样，《低俗小说 Pulp Fiction》犹如一本由六个充满脏话的“低俗”故事汇成的一部小说。导演昆汀·塔伦蒂诺是一个善于讲故事的人，这六个故事相互连接了起来，互相补充的同时，也尽可能从更多帆段的角度塑造角色。难以想象，这部拿到奥斯卡最佳原创剧本的作品，最初居然是昆汀·塔伦蒂诺和好友一边聊天一边创作出来的。

⑸ 一部老电影一个男的去抢餐厅结果女服务员是前一天来抢劫的

这是昆汀·塔伦蒂诺导的 《低俗小说》影片开始于一个小餐馆中，一对鸳鸯小贼“小南瓜”和“小兔兔”灵光一闪打起了抢劫餐馆的主意，三两句简单的意见交换后，两人利索的拔出手枪跳上餐桌开始了抢劫。随后影片转向了文森特和朱尔斯这两个打手，讲述了他们杀人，拿到手提箱，意外在车内走火打死一个小弟，然后处理车内狼藉现场，去餐馆吃饭碰巧遇上片头两位的抢劫，文森特奉命陪老大老婆散心，之后文森特在执行任务时被后来的拳击手送上了西天。这一连串的故事在片中当然不是按如此时间的先后顺序来交待，而这条线索中两位打手在餐馆中与鸳鸯小贼的较量则被放在了影片的结尾与开头遥相呼应，形成完整的环形结构。 另外，在拳击手那条线索中，讲述了布鲁斯·威利斯所扮演的拳击手收受了黑帮老大的贿赂却没有按合约输拳而招致黑帮追杀，逃命的途中拳击手做掉了黑帮打手文森特，并和黑帮老大意外邂逅，两人扭打至一二手货铺，却被店主黄雀在后将两人一同拿下，准备与同性恋朋友一同分享，随后拳击手奋勇杀出并于危难中解救了老大，于是两人恩怨就此勾销。 盗贼“小南瓜”和“小兔子”是一对情侣，他们在早餐时突发奇想决定打劫正在就餐的餐馆和里面的众多顾客，并立即拔枪开始行动。 马沙·华莱士是在洛杉矶只手遮天的黑社会大哥，最近以布莱特为首的几个年轻人侵吞了他一只装满黄渗晌金的皮箱，于是派手下朱尔斯和文森特去夺回这只箱子。清晨，朱尔斯和文森特到达目的地并闯进了那几个人的房间，正在吃早饭的三个年轻人都十分惊恐。文森特找到箱子后，朱尔斯就杀死了除内线马文以外的三个青年，像往常一样，在杀人之前，他背诵了一段钟爱的《圣闭带经》这部电影是个环形结构。由“文森特和马沙的妻子”、“金表”、“邦妮轿喊芦的处境”三个故事以及影片首尾的序幕和尾声五个部分组成。

⑹ 梵高作品签名，写Vincent，为何不写Van Gogh，原因和结果太悲情

| 文：天辰

梵高，后印象派的代表艺术家之一，创作了很多直戳人心的作品，如《星夜》《有乌鸦的麦田》《夜间咖啡馆》《向日葵》等等。

他一生中，画了十多幅《向日葵》。在1888年8月的某一天，在画完最后一笔后，后退几步再整体看看画面，十分满意。于是，按照一般的习惯，他又拿起了画笔，在画面中签上名字，代表这幅画已经完成。

但梵高并没有签上“van Gogh”，这个我们习惯称呼他的名字，而是签上了“Vincent”，

完全不符合逻辑。

梵高在1862年画的素描（有人认为这是他画的第一张画）上，“Van Gogh”还被写在上面，在后面的作品中为什么不见了呢？

一般签法

画家在作品上签名，从意大利文艺复兴时期开始流行。在那时，个人的价值逐渐得到重视，同时画家也开始从合作制的绘画作坊分离，可以接受独立完成的订单。所以签名成为画家区别于其他同行的标志。1

有些名字签在画面背后，但为了方便识别，提高知名度，大多数的签名一般是在画面上。

梵高的全名是Vincent Willem Van Gogh，中文一般翻译为文森特·威廉·梵·高。

在日常使用中，习惯简称他为梵高（Van Gogh），因为这是他姓，文森特是他的名字。

荷兰阿姆斯特丹的一个博物馆，馆藏了他黄金时期的200多件作品，其中就有《向日葵》。这个博物馆就以梵高（Van Gogh）来命名。

体育明星杜兰特、科比、梅西，这些都是姓。

同时代印象派奠基人之一的爱德华·马奈（Édouard Manet）在作品上的签名也是用姓——马奈（Manet）。

也有把姓名全写上的画家，比如印象派的克劳德·莫奈（Claude Monet），因为姓名短就全写上了。名字太长，但又想写完怎么办？答案：简写。梵高差祥钦佩的法国现实主义画家让·弗朗索瓦·米勒（Jean-Francois Millet ），画面签名是“J.F.Millet”。不管哪种方式，都会写上姓。

梵高为什么不这样干呢？

梵高的原因

梵高正式开始绘画前，他做过传教士，熟悉荷兰语、英语、法语与比利时语，到1880年，这四个国家都待过。所以梵高在语言的交流上有相当深的了解。

在日常，英语世界的言语交往中，Vincent 比Van Gogh 更为顺口，因此他的很多朋友都喊他Vincent。Van Gogh 发音挺拗口的，在法国甚至很多人都不知道如何发音。梵高曾经写弟弟提奥写信说，我的名字虽然在现在算不了什么，但是在未来，应该像我签在画布上那样，写在展览的目录上——是文森特，而不是梵高，我这样做只是为了一个简单的理由，因为这里的人不懂得后一个名字的发音。

虽然梵高说原因很简单，但从侧一方面反映出他的虚拍搏艺术野心——成为广为人知的大艺术家。

梵高对“Vincent”寄托了他的艺术理想。

结局

在《星夜》里，火焰般的柏树高高矗立，蜿蜒而上，就像渴望都能触摸到漫天星辰的天空。梵高何尝不是这样呢，他希望作品能触碰到公众，期盼星空能看到柏树的倾诉，哪怕是参加艺术群展。对“Vincent”寄托的理想，一直到他37岁（1890年）死去都未能看到。在离开数年以后，他的作品终于引起轰动了，从荷兰到国际，由默默无闻迅速地成为了世界闻名的大艺术家。荷兰政府还专门建盖了他的博物馆——梵高博物馆。可这时，贺销被梵高寄予希望的“Vincent”鲜为人知，反而是“Van Gogh”红遍了全球。

——END——

⑺ 如何评价文森特卡索这个演员

文森特·卡索”1966年11月23日出生于法国巴黎，法国演员、导演、电影制作人、剧作家和配音员；文森特在选择角色上刻意地寻歼历誉求多样性，其扮演的人物，有《学生》里的家庭教师，有《太保密码》里的强盗，也有《狼族盟约》里的贵族和《暗流》里的青年警探，这些性格完全不同的角色，文森特都敢于接受，努力尝试，在这些动作悬念片中，法国评论界也给于文森特一定的肯定，2001年的《唇语惊魂》让文森烂橘特得到其第一个凯撒奖提名；文森特曾经凭借《头号公敌续氏段集》获得法国电影奖项最高荣誉的凯撒奖影帝，和意大利着名女神莫妮卡·贝鲁奇”在1999年结婚，2013年协议离婚。

⑻ 低俗小说 文森 最后死了没

文森特最后死了，Buch回到家拿到了表，一切出乎意料的顺利，家里似乎也没有人，直到他发现厨房的桌子上放孙毕着一把枪，一把原属于Vincent的枪，Vincent把枪就这么放在了厕所外留给了Butch，就像当初把毒兄明品放在了外套里一样留给了Mia一样。

Butch拿着枪，对着刚排泄完（也有可能排泄失败）的Vincent，然后开枪打死了他，文森特就这样死在了马桶边。

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